Tag: reviews

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Sometimes a TV series catches me for the wrong reason and I force myself to watch to the end because this wrong reason captured my attention but I really should know better because I know I am going to be disappointed when I learn the reason. I Will Find You, a Netflex mystery series, is just such an animal.

First a spoiler alert. I will be revealing some of the mysteries in the show so if you intend to watch the series, which I don’t recommend, stop reading now. The good news here is that there are so many plot twists that you aren’t likely to remember them all unless you have a copy of my review available while watching. There are plot twists after plot twists after plot twists after plot twists. Bad cops who turn out to be really good cops who were acting bad for a good reason. This means I started out thinking they were good guys, then I found out they were bad guys, only to later learn that they were actually good. Are you still with me?

The problem starts at the very beginning. David Burroughs (Sam Worthington) is in prison for killing his son with a baseball bat. Awful. Bad David. He sits in prison, not taking any visitors, because he thinks he deserves it for killing his son during a black out. Rachel Mills (Britt Lower), his sister-in-law, visits him in prison despite his requests not to be visited because of how horrible a person he is. She shows him a picture of a photo she received that shows his son who has a very distinctive birth mark is very much alive. Burroughs realizes that maybe he didn’t kill his son and this sets into motion Burrough and Mill’s mission to discover the truth.

The hook that kept me watching now is firmly in place. I really want to know who would killed a small child with a baseball bat, kidnap another child and set up the child’s father for murder. There has to be a good reason for someone to do this, right? I mean killing a child to kidnap someone else’s child, that is a terrible thing to do to a kid and to Burroughs. What is it?

The next 8 episodes are so is a wild run of plot twists, a lot of them red herrings, vitally unnecessary to the actual plot but are thrown in there to keep you guessing. And there is so much to learn and then forget because they are irrelevant to the child’s murder. Things like a mob connection to the murder. The mob has absolutely nothing to do with the murdered child or to the story at all but that doesn’t stop the series from devoting several episodes to this plot line which proves to be both unnecessary and violent. The Mafia Don’s main man is killed, Burroughs is flown into Key West to meet his fate with the Mafia Don, and he learns that his best friend works for the Mafia Don.

So, it turns out, the nasty Mafia Don turns out to be just a good father interested in helping other good fathers, even good fathers who wrongfully sent his own son to prison where he is killed. The Don, who in the past swore revenge on the cops who set his son up, but decides to nothing to the police who screwed over his son even though he has captured and in his Key West home. The Don does nothing and actually is such a good sport about the whole threat thing, even though one of his top guys is killed, that he flies Burroughs back to home so he can further investigate his son’s disappearance. Even though his son still died in prison, his top guy back home is murdered because Burroughs thought the mob was involved and one the good/bad cops pulled a gun on him. Nothing on toward happens to anyone.

Are you still with me? Don’t worry, none of the Mafia Don plot twists have much to do with the actual story so you can forget them right here.

Finally there is the end. Oh boy what a fucking mess. I will just jump to the mess and won’t give you too many details because there are just too many of them and it would only serve to confuse you. To summarize — it involves troubled pregnancies, false names at fertility clinic, and the discovery that the guy who has been helping Burroughs throughout the show is actually a friendly psychopath. The psychopath, who I feel it is important to remind you, killed a small child with a baseball bat, thinks that Burrough’s son is actually his son and so with the assistance of his rich mother and her security man, they cover up his misbehavior because all the psychopath wants is to be a good father.

Yes, you heard that right. The psychopath kills one child in order to kidnap someone else’s child who the psychopath mistakenly believes is his and so he can raise this kidnapped child as his own There are many things I believe a mother might cover up for her son but I think that if my son had killed an innocent child in order to realize his parental goals, I might be a little concerned about his behavior and, dear God, why would I give him access to another small child. I shudder to think of the psychopath’s views on corporal punishment and so should the psychopath’s mother. Wouldn’t it just be easier to hire a woman to have his child? I am sure it wouldn’t be difficult to find a woman willing to bear his child for a cool million and, let’s face it, a lot less messy than covering up a murder.

To say nothing of the mother’s security man. There are plenty of other rich people who don’t have bat shit crazy sons that need security men, why fuck around with a psychopath who, I feel compelled to remind you, yet again, killed a child with a baseball bat and set up another man to take the fall for his client’s murder?

Some other minor points. Sam Worthington is an Australian and he was playing an American. His American accent was perfect but his acting was painfully stiff. It also doesn’t help that a lot of the primary male characters looked an awful lot alike — so that you spend a lot of the early episodes trying to figure out who is the grieving father, the psychopath, the wife’s new husband, and the grieving father’s best friend. I don’t ask this often but do all white men look alike? They do in this program.

The thing is what hooked me was the murder of a small child. The whole series I thought there better be a good reason for such a terrible act, only to discover that the innocent was sacrificed to fulfill a man’s ambition to be a good father. Good grief.

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I don’t recall ever hearing Aretha Franklin’s version of “I Say a Little prayer for You” when it first came out. I was familiar with the famous Dionne Warwick’s version and, perhaps, because I have always associated the song with Warwick and it was the more well known version, there was no reason to investigate any other singers’ takes on the classic song.

For what ever reason, I just recently stumbled on Aretha Franklin’s version of “I Say a Little Prayer for You” and it is like listening to another song. Warwick’s excellent version is more polished and ethereal while Franklin’s is raw and passionate. Warwick is letting the man know she thinks about him. It is more of a seduction than a declaration of love whereas Franklin is confessing to passionate love.

Franklin’s musical arrangement is clever too. There is a point where she winds the song down so far that you think it is about to end when she ramps it right back up again. It is unexpected and exciting. Also the backup singers take on a bigger role than normally assigned to them. They take over the song at several points while Franklin seems to responding to them instead of the other way around. It gives an almost conversational tone to the song. They ask — he answers your prayers and Franklin answers he answers my prayers all right.

The whole effect is a powerful rendition of standard song. Nobody does female sensuality like Franklin and, if you want to hear her at her most passionate, it is worth a listen.

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Project Hail Mary isn’t a bad movie. It is clearly well done — quality technology creating the splendor of outer space, an interesting but flawed character, and an actor (Ryan Gosling) who winningly captures this character. But it doesn’t work for me.

I will confess it isn’t my type of movie to begin with — a Sci Fi movie with a lot of action moving the plot along. The sun is being eaten away by some mysterious microbe and someone has to go on a suicide mission to figure out why. Will they make it on time? So even though I wouldn’t normally go to this type of movie, I saw some potential there.

The main problem I have is there just isn’t enough plot and/or action to keep this movie going for the 2 and 1/2 hours plus running time of the movie. But what are directors (there are two of them — Phil Lord and Christoper Miller) to do when they have all this fabulous technology that can recreate outer space? They show it with way too many minutes of blaring choral music of Grace looking with awe. I get it. Yes, it is awesome but repetition makes it a little less so. It began to bore me after about the mid-point of the movie.

This boredom lead to me picking apart the plot. Most movies depend on suspending a certain amount of disbelief. A movie about spacecraft in outer space and meeting with aliens then would require much more than the normal movie. Keep the damn thing moving or else you will lose your audience. So, as I was plodding through these beautiful shots of space, I used this time to find plot holes.

Like how the hell was Rocky (the alien our lead character, Grace, encounters in his trip) is Grace going to reconnect with Rocky in the vast expanse of space when they have no communication after Grace departs for earth. Or, given the time needed to save the earth and the time Grace needs to get where he needs to go and his own inability to make it back, how is their enough time for him to save Earth. There was a very short time frame to work with.

Now normally these are not big issues in a movie that is moving along because you are paying attention to what is happening on screen but it is the death knell for movies when you start thinking about them in the middle of the movie you are watching because it means you are no longer watching the movie.

So while Project Hail Mary is in no way a bad movie, it just isn’t a great movie either.

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The other night I got reacquainted to Patty Griffin’s song Let Him Fly. It is a song about a woman breaking up with a man who isn’t ready, if he ever would be, to settle down. He isn’t a bad man just a wandering man, he honestly tells her this and she had some hopes of keeping him even though he told her so but she now realizes it is hopeless so she surrenders to her fate and lets him go.

Her lyrics are filled with sadness but absent of anger which carry the heavy weight in most break up songs. There is none of this you are a rotten son of bitch and I don’t know why I put up with you so long which consume most break up songs. It is sad without being vindictive. She loves him but she needs something more than he is willing to give. Two mismatched people instead of one good one and one evil one.

The song is spare — just a guitar and Griffin singing in her clear strong voice. At times you can barely hear her guitar, it follows her singing but does not direct it. I could imagine her singing this song a cappella.

Even though her album cover is for more than one song, it really fits the mood of “Let Him Fly.” It looks like someone crumpled up photograph of Griffin and then, having second thoughts, retrieved it from the trash bin because he decided he wanted to keep it. It certainly captures the spirit of the song.

I highly recommend Patty Griffin’s “Let Him Fly.”

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I usually don’t write TV reviews because I mostly like what I see and I have run out of ways to say nice job, great production, outstanding acting. I am trying to learn how because I think it is important to be able to write about anything but good TV, I am afraid, leaves my writing stilted. On the other hand if it is problematic or bad TV, I can write. Fasten your seat belts I have found a show that really irritated me and believe me there will be spoiler alerts so, if this bothers you, stop reading now.

Any way, there I was enjoying Lazarus, a 6 part English series. I get to the final episode enjoying this problematic but somewhat entertaining show and then the god damn thing goes completely off the rails. There was a new plot twists with each scene. He is the murderer, no she is murderer, no murdered some of the victims but not all of the victims. It felt very much like someone who was an uppity up at the studio, after viewing 15 minutes of one of the episodes decided there weren’t nearly enough plot twists. So as you near the end of the episode, you sort of know who committed some of the murders but kind of don’t know about others and it is the fucking last show so this is it. If you don’t know for sure now, you have lost the plot.

An example might help you understand my plight here. There is a serial murder loose and we assume he has been killing for a long time. You go into episode 6 thinking it was the crazy neighbor who killed everyone. But we find out really fast that no the police detective in charge of every last investigation might have done it. But wait, then we find out, through Lazarus’ communication with the dead, more on that later, that it is really Lazarus’ father.

Now this would be a good opportunity to wrap up the show letting the audience know all the whats and wherefores. Sometimes a nice bow tying up all the plot devices is needed. It would certainly be helpful here. Instead they throw in yet another plot twist that has nothing to do with any of the previous murders and looks like an incredibly lazy set up for another season. Lazarus discovers that his son, which for the record he didn’t know about until the middle of the season, has inherited his grandfather’s predilection for murder. Shades of the Bad Seed. WTF and why?

Then there is the unfortunate character of Lazarus (Sam Claflin) who sees dead people which allows him to discover clues that reveal murder victims and suspects. Since he is getting his clues from ghosts, Lazarus has a difficult time explaining to the police how he is getting this information. This means for much of the show he is hysterical because he is fucking seeing and talking with ghosts which he finds disturbing and he can’t very well explain this to the police who will think that he is crazy if he is seeing ghosts. So instead he just acts crazy without the mitigating factor of him explaining why. So, in trying not to appear crazy, he is acting crazy to hide that fact that he is talking with dead people. The police, quite rightly, question his sanity and suspect his motives.

The behavior of the ghosts is odd. Most of the ghosts believe they are talking to Lazarus’ father as they are patients or employees of his father. They really don’t explicitly give him information. They relive their encounters with his father. Lazarus acts like his father for the dead people while the ghosts show him what happened to them in the past. They supposedly are trying to point out who the murderer is even thought they actually know, at least in some cases, that the murderer is Lazarus’ father and they could just relive the moment when they were murdered. This would save everyone a lot of time but no the ghosts are coy and would rather just drop hints. Hints that are absolutely no help to Lazarus in finding the real murderer and would wrap up the show a little too quickly. Like in the first episode. The answer to keep the show going is plot twists, there needs to be more plot twists.

Lazarus’ father, unlike all of the other ghosts, actually talks to Lazarus. Why he can actually communicate with Lazarus while the other ghosts can only show what happened to them in the past is never explained. Since the whole purpose of the ghosts is to determine who the murderer is and the Lazarus’ dead father seems to be the head ghost trying to reveal this mystery, it begs the question why doesn’t he just tell Lazarus who killed who. This would be too easy, so, the father just lets him make a lot of wrong assumptions and endanger himself and others for no apparent reason other than it keeps the series going for another episode. The father isn’t shy about confessing to his murders at the end so why not just get it over with when he first appears to Lazarus. Plot twists baby, there has to be plot twists.

And finally, I can’t help myself, it is a small complaint but nonetheless irritating, so I have to mention it, the policewoman who Lazarus suspects of being the killer (she is only a killer) outruns the much younger Lazarus through the empty lunch time streets of London. Yes, empty streets at lunchtime in London. Not a moving car in sight. The woman, who has to be, at least, in her late 40’s and probably older, runs like an Olympian, gliding effortlessly from deserted street to deserted street until she hits a main avenue where, of course, a bus hits her. What do you expect when you are running down the middle of the street in broad daylight in a major metropolitan area like London. I was surprised she wasn’t mowed down when she stepped off the side walk. So was I shocked by her fate? Can’t say that I was. I have seen this trope so many times that any time a character, particularly a villain, finds them self stopping in the middle of the street, I know that the jig is up and a vehicle is heading their way with deadly consequences.

It is just too much and too unbelievable but I have wasted my time on worse. It is totally up to you but you might keep searching for another show and, if you still can’t find anything to your taste after 15 minutes or so and you find yourself back at Lazarus, you can give it a go knowing my concerns. It might help you to cut loose more quickly than I did.

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“Some Like it Hot” is a song I like that I lost track of. For some reason, I stopped listening to it. I have a habit of listening to a song I like until I am sick of it and then stop listening to it again for a very long time. I think this is what happened here because I certainly enjoyed listening to it again when I stumbled across it the other day.

The only thing I have a quibble about is some rather inane and juvenile lyrics which I find easy to forgive for the following reasons:

  1. The drums. There is some pretty intense and powerful drum playing – particularly at the beginning of the song. A solo drum start which gives the song a primal sound that brought me into the song and continues to pound throughout the song.
  2. Robert Palmer. I have to confess I have very few star crushes but Robert Palmer is one of them. His voice has a sexy pitch that it is difficult to define — masculine and playful — not exactly the words I am looking for but as close as I can get right now. He means to seduce you but he is also assuring you that it will be a lot of fun all the same. It’s weird. It could just be an irrational response to a man who gets my pheromones going. Whatever the explanation, I like Robert Palmer.
  3. Brass. I like horns in a band. Except for the tuba, brass instruments are easy to carry. A small band could certainly throw in a trumpet into the trunk of a car as easily as a guitar case so its absence in rock bands is a mystery to me. In this song’s case, the brass adds powerfully to the sexiness of the sound.
  4. It is entertaining which I think all any piece of art has to do. I enjoyed listening to it.

Here is a link if you want to give it a try. Some like it hot, I know I do. Sorry, I couldn’t resist.

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I am trying to like the Wheel of Time. People obviously have put a lot of work into it. The problem is that it is just too much work for me to keep track of what is going on from episode to episode.

First it is too dark — and I don’t mean plot, I mean visually. Any time there is a night scene I am plunged into pitch darkness where I am incapable of understanding who is there and what is going on. Can’t they throw in a few more torches to make the scene easier to understand? It is television after all. I get that it is dark when the character is carrying a torch or a candle once the mood is set I need to see what is going on. Realism, in this case, is hardly helpful for the viewer wanting to understand the show.

Then there are too many main characters, too many secondary characters, too many places to keep track of everyone, and too many magical formulas and rules. I spend an inordinate amount of time trying to figure out where I saw this character before, where are they in this grand imaginary world and why they might be important to the story.

Then many of the names are so unique that you would only hear them when watching Wheel of Time. Names like Nynaeve al’Meara and Egwene Al’Vere just don’t roll off my tongue easily. Yes I get that this is a made up fantasy world and that giving alternate unique names to this story helps with this fiction but, for me, it is impossible to remember who is who. So when anybody new appears in a scene and I try to remember the name of the character it comes out in my mind something like mumble mumble mumble which is no help at all. After three seasons, I can only remember two of the 5 main characters names with any confidence and that is because the names, Rand and Mat, are familiar to me. Would it have destroyed the other world ambiance to name a few of the characters Sally or Sue.

Because there are so many people and places and rules almost all dialogue is explanation. The Ai Sedai can’t tell a lie which is frequently pointed out because whenever she speaks, you are reminded that she, if no one else, is telling the truth. Women can have a certain power while men who have the same power are driven insane. There are red, white, blue groups of priestesses who have a speciality and you would think this would give you a quick guide to who is good and who is bad (like black hats and white hats in westerns) but no, sometimes a red priestess can be good and sometimes a red priestess can be bad. It is all too confusing and it drains a lot of the emotional power from any dialogue because the actor is more concerned about conveying information, least the audience get lost, rather than emotion.

The big problem here is a little too much fealty to the book. What someone can grasp while reading a book is much more than in a fast-moving television show. This is one of those times when less is better and certainly easier to follow. So while there is much to like about the Wheel of Time it requires a lot of work to keep up with it. I am not sure it is worth it.